« The language of the woods, the impossibility of saying only with the dominant and signifying language. Then there are other possible languages, emanating from an immediate reality and more ancestral : the language of noises, mutes, ecosystems, biotopes, improvised songs and tattered words … language of care, shouts, and breaths. »

Voices and language are its instrument and tool of research.      
From the 90s, between a vocal and musical learning several years in Paris, and a stay in Mumbai, Natacha Muslera develops its research in the field of experimental music, sound poetry and plastic arts (performance, sound creations, videos, films), within several groups (Natïmbalès, Asa nisi masa, Tsikamoï) and common tests (Terrain vague, Le shni, Toc-toc).

The artist is specifically interested by the choir, as unheard of potential, intrinsically micro-political. She conceives and puts into practice different choirs without chief, and groups : choeur in situ, choeur terrain vague, choeur présocratique, cent coeur, choeur tac-til

From the year 2000, Natacha practices free improvisation and noise music, actually she creates for different way of composing and interpreting, without visual support, a digital writing by contact and blind partition.

Actually, among his friends and collaborators : Choeur tac-til, eRikm, Cécile Duval, Michel Doneda, Catherine Jauniaux, Aude Romary, Jean Luc Guionnet, Eric La Casa, Floy Krouchi, Keja Ho Kramer, Terminal Beach, Jean Sebastien Mariage …

Its research intensifies thanks to the laboratories, nomadic workshops, in with the artist shares a free vocal practice, and develops an experimental pedagogy.

The concerns of the artist experiment  the vocal space. « The vocal’ space questions the language’s foundations. It works the question of origins. It functions like an egnima. It questions the voice itself as the origin. »

Living creations in France and abroad Russia, India, Argentina, Quebec, Hungary, Greece, Italy, Spain, Germany, Belgium, Palestine, Swiss, Austria…

Diffusion of its vocal pieces, audio poems on France Culture and France Musique, Radio Classica (RNE) Ars Sonora, Seville Radiopolis FM, Radio Grenouille, Radio Libertaire, Arteweb, Radio Radio Galère (Marseille) etc…



Choeur tac-til, Natacha Muslera composes for a blind choir : supported by Gmem, National center of experimental music in Marseille, 2012-2018. Drac Paca, Off-cells.

Cartouche, with eRikm (electronics) and Natacha Muslera (voice)

En pleine figure, with Cécile Duval (actress) and NM (voice)

Coyote with Michel Doneda (saxophones) and NM (voice), sound rite

Limbe, creation 2017-2018 – invitation of Aude Romary (cello), with Christophe Cardoën (lights), Stefano Taiuti (dance), Natacha Muslera (voix étendues) . Productions : association Bruissement, espace multimédia Gantner – Coproduction : Centre Culturel André Malraux – Scène Nationale de Vandoeuvre-lès-Nancy. Avec le soutien de la Région Grand Est et de la DRAC Acal.

SOLOS 2017-2018                                                

Vocal rite : SOURD-RE  Acoustic and mute. Include the language of signs, within noisy voices-languages, sung, mute space to designate.

LHT – amplified and / or acoustic « The first gesture is to listen to the place, the second, radical, introduces a tear into space which simultaneously tears and restores the place to the real. »

IN PROCESS                                               

Cosmetrico with Keja Ho Kramer and Davide Barbarino

Terminal Beach
Objet Direct with Nicolas and Christian Gerber